This paper attempts at a provisional assemblage for how semiotic models may be used to structure a direct observation of abstract concepts in a horizonless immersive environment. Interactive media lies at the burgeoning periphery for making ideas more accessible. Moving beyond the classical precept-concept-precept chain, immersive media cedes a sensuous concept-precept-concept umwelt experience. Culture communicated in an interactive manner explicates notions while synchronically broadening its perspective. By allowing the meaning generating process to be dynamically intentional, understandings are show to be categorically relative and continuous in nature. The proliferation of sign system modalities is explored as a method to transdifferentiate semiosis instantiations as an abductive 'langauge'. Immersive media contextualized by data byte streams encode concepts as clear and tangible mirages. Visceral perceptions of these data gestured abstractions make possible the observable scaffolding necessary for a continuum of abductive referent amplitudes. Culture is thus viewed as an abstraction limited by conventional attitudes by boundary texts, which are self-cultivating. Culture säumen are here reimagened as an interactive axiological model for relational concept inferences. By mixing immersive media with transient data, the model making process as a type of relational postulate of aesthetic systems forefronts intentions for real-time data derived concept model communication.