The current process of hypermediatization, technological advance and interactional functioning mediated by platforms, enabled processes of sociality between individual enunciators compared to previous years, where the media as institutions were the main producers of collectives (Verón, 1997). In 2020, within the framework of the beginning of the pandemic of COVID-19, Twitch—a live streaming platform—reached its peak in public while incorporating a variety of formats, thereby producing new discourses.This work seeks, from an interdisciplinary perspective with a theoretical-methodological axis in socio-semiotics, to partially reconstruct a state of social discourse about the discursive configuration of subjects, on the streaming platform, Twitch. When thinking about these forms of discursive configuration, the complex task of analyzing discursivity topologically arises, since the limits of what is sayable and what can be enunciated (Angenot, 2010) are drawn today as discursive convergences and divergences, with intervening subjects. in the circulation of meaning, validators of aesthetics, contents and subjectivities and with strong anchoring in materiality.Based on the analysis of video records of the live broadcasts of Tiny Medrano, a streamer from the province of Jujuy, Argentina, we will investigate the aesthetic, narrative and enunciative strategies to account for the ways in which discursive peripheries and centers are configured under logics of digital circulation.