Explaining the processes of decolonial resistance in Latin America, implies recognizing its approaches and recovering the concepts in art, specific to the indigenous communities, nucleated in the community practices of resistance in defense and care of the territory, land and nature. From the Multimodal and Multimedia Critical Discourse Studies (MMCDS) we explore the process of decoloniality that emerges from the break with the principles that capitalism and neoliberal politics impose; therefore, it is a question of exploring the rationalization of the social, political, cultural, transversal areas through the care of nature.An analytical collection of the works of the painter Carlos Jacanamijoy between 2007 and 2015 is analyzed in which he proposes to reveal the sense of naturalness linked to ancestral cosmology. The exhibition is characterized by having a thematic unity, being multimodal and circulating through digital technologies. The sample's main criterion is how Latin American identity is formulating the rupture with coloniality, its representations of nature in the socio-economic, political-cultural and ethnic order.The communicative purpose of managing collective social action is explored in the work of art, integrating a decolonial axiology and epistemology. The analytical-interpretative process allows us to infer that the artistic discourse looks to deconstruct the hegemonic order and the dominant cognitive imperialism in the region by highlighting in the representation the meaning of the ancestral.