Authors such as Samuel Beckett and Hilda Hilst tend to build Literary poetic prose that mimic the psychological chaos of thought. They hint at the idea of insufficiency of language through a convergence of prose and poetry accomplished by adding poetry elements in the narrative, such as opacity and rhythm.In light of French semiotics theory, this study intends to investigate how elements of the prosaic, inserted into such literary texts, contribute for the fragmentation of point of view, nonetheless establishing a partial anchorage with reality.We believe the prose written by the authors mentioned above shape their literary discourse by creating the meaning-effect of deconstruction of perspective and point of view. Therefore, these texts frame a chaotic life-like discourse that inputs in literary aesthetics a living effect as a replica of enunciation.As our analysis corpus, we selected the novel “The Obscene Madame D”, by Brazilian author Hilda Hilst, and “Molloy", by Samuel Beckett.We believe that, in those novels, there is an aesthetic choice of collapsing the enunciative structure, thus creating the meaning-effect of a fractured point of view that makes reality hard to grasp. However, in the midst of disordered phrases and isotopic fractures, images that refer to prosaic everyday life emerge and, as shattered as they might be presented, they offer the text a clearer sense of reality.