This paper aims to shed light on the level of maturity that contemporary semiotics have reached in its relationship with various types of signs that surround humans in all aspects, in the worlds of image, cinema and theatre.The science of semiotics is attended in its various directions, inside a deep rhetorical, intellectual and philosophical cycle whose roots belong to a cognitive background of many accumulations. This was able to involve non -linguistic signs systems in (image, cinema and theatre), because they are more than super-linguistic systems, and are not subject to the same criteria of analysis that is close to "verbal discourse".Therefore, this paper aims to analyze the "fixed" and moving image and its centrality, in addition to the choreographic dimension of the human body, within the thorny cognitive relationship between the human act against the meaning and the process of significance versus the Hermeneutic interpretation.Thus, my paper is trying to look at the semiotics of art from a different perspective, by studying and monitoring the interference in photography, camera and dramatic physical expression. This will create a kind of openness to the enlightening dimension that semiotics play in educating us and monitoring the directions of our contemporary life with more scientific and cultural means.